Maddy Carty & The Protest Family

We first met Maddy Carty about two years ago.  We were both playing for the Show Culture Some Love campaign.  The Family were struck by her remarkable, strong yet vulnerable voice and sophisticated modern soul-based songs.  We immediately suggested her to play at the Matchwomen’s Festival a few months later.

During a rehearsal (yes, we do rehearse), we were trying Right To Strike (from Drums Ruin Everything).  It didn’t sound quite right.  Someone suggested that it might sound good with a female voice doing harmony, like… Maddy Carty.  We warmed to the idea that she might play keyboards on it too.  A few days later, she agreed.  More than that, she really wanted to perform Have I Got News For You with us.  By the time we met up, she was playing on four songs.  She joined us on stage at the Matchwomen’s Festival in July – and it was fun.  We did it again at the Leytonstone Festival the following week. A couple of months later, Steve and Maddy did a couple of songs together in central London.

Madd y and Steve Paul Rutland mod
Steve and Maddy  (Pic: Paul Rutland)

Meanwhile, a new movement had been brewing.  It was We Shall Overcome: hundreds of gigs across the country on the same weekend, protesting against austerity, and raising money and collecting food for those hardest hit by it.  We wanted to do something special for that – but what?  Well, who else would we call?  So in October, Maddy Protest joined us for our entire set at the Rose & Crown for Walthamstow Folk’s contribution to the weekend.  It was a great night with an enthusiastic crowd, but…

Discussing it afterwards, we felt that something was a bit off.  Was it Doug’s socks?  No, not this time.  It boiled down to this: we had used Maddy as a piano player and a backing vocalist.  Now, don’t get me wrong.  She’s fine as a piano player.  She’s fine as a backing vocalist.  But she’s got so much more.  She was easily the best singer present on stage that night (sorry, Doug), but her terrific voice was always in the background.  Also, she’s a very strong songwriter, but we played none of her songs at all.  She was happy to play that night, but on reflection it seemed to us to be a bit of an insult to her talents.

Fast forward to 2016.  We had a better idea: how about having Maddy join us properly for a one-off gig?  This time, she could back us on some of our songs – and we would back her on some of hers.  But she let us down badly, pointing out that she was getting married on the day that we’d planned for the performance. How selfish can you get?

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Marriage: selfish

Now it’s 2017 (check your phone if you don’t believe me) and we’ve forgiven her for that snub.  It’s finally going to happen.  On Sunday 16th July at the Tolpuddle Martyrs’ Festival in Dorset, Maddy Carty & The Protest Family will take to the stage.  It’s going to be different.  Come and join us.

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(Main pic: Thee Faction)
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“From the Tolpuddle Martyrs to Bryant & May…”

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The Matchwomen’s strike committee, 1888

On 2nd July, we’re playing the Matchwomen’s Festival for the third time in its four year history. Our greatest hit*, Right To Strike, begins with a tribute to some of the pioneering trade unionists of the 19th century.

You might be thinking, “How have a bunch of smelly blokes from east London got so involved with a women’s festival? And what’s Brian May got to do with this?”

Let me explain. First, it’s nothing to do with Brian May. Bryant & May was a company that made matches, originally in Bow in east London. In 1888, about 1400 women and girls working in their factory went on strike over long hours, poor pay, excessive fines and the horrific effects of working with white phosphorus, including mutilation and premature death. They formed a trade union. Soon, their resoluteness and ultimate success inspired the formation of trade unions across the country.

The union movement is important to us as a band and it matters to you, whether you realise it or not. Apart from anything else, without the work of trade unions, most of us would simply have no effective employment rights. That’s one reason why we’re proud to be playing the festival again.

The other reason is women. “Ah, so you’re playing it to attract women?” Er – no. We’re all taken, thanks. The Matchwomen’s fight proved that women didn’t have to be passive. Women could organise. Women could gain control. Women could win improvements for themselves.

That message continues to be vital. Between the members of the band, we’ve got six daughters. But we’ve also got partners, sisters, mothers, friends, workmates, neighbours… we want them to be inspired by those ‘ordinary’ women from the century before last. As we are.

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*It got to about number 1,000 in the Amazon download chart, you know.

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